
Sunday 19th July 2026
At the 1865
The Far Meadow
and
Dominic Sanderson

There is no need to print your ticket. Just give your name at the table inside the venue. We will have a list of ticket buyers
THE FAR MEADOW
Returning to The 1865 for their first co-headline in three years, The Far Meadow bring their own distinctive form of fusion-inspired symphonic progressive rock, already familiar to Solent Area Prog fans after several local appearances. Founder member and keyboardist Eliot Minn’s creative partnership with Keith Buckman (bass) and Denis Warren (guitar) began in 2011, after they joined to refresh a previous line-up of the band. They have since performed several headlines and festivals including A New Day Festival, Cambridge Rock Festival, Danfest, Fusion, HRH Prog, Prog the Forest, Prog for Peart, Resonance, and Summer’s End, drawing on their album releases Given the Impossible (2016) and Foreign Land (2019). 2026 sees the introduction of two new members. Bringing a new voice to the storytelling, singer songwriter LuLu Ash is an established solo artist with an array of atmospheric single releases and an album A Trick of the Light (2024). Behind the drums, Aidan Marsden’s percussion expertise and experience of diverse musical forms ranges across the classical repertoire, through accompanying singer-songwriters such as Gaja, to the black metal of Thing. Performing a good proportion of unreleased material, The Far Meadow will of course play some more familiar songs from their past releases
MÁRIO LOPES Cancelled.
DOMINIC SANDERSON
Liverpool-based musician Dominic Sanderson places his foot firmly in the 70s prog-rock camp! With influences ranging from King Crimson, Van der Graaf Generator and Steven Wilson, through to Canterbury Scene giants Caravan and Soft Machine, Sanderson and his band bring a raw, untamed and aggressive sound! After taking his first steps into the world of progressive rock with the “Discarded Memories” EP (2020) and his debut album, “Impermanence” (2023), Sanderson and band recorded Blazing Revelations, which made its way into many 2025 end-of-year best-of lists. This album showcases an eclectic array of styles, from the symphonic approaches of “From the Weeping Cradle” and “Lullaby for a Broken Dream” to the Canterbury flavours of “Faithless Folly” and the acid folk of “A Rite of Wrongs”. Sanderson and band are a force to be reckoned with in the live arena, as exemplified by Sanderson’s newest release, “Live Revelations”, a live album recorded at the Birmingham Symphony Hall.
The above video features the old line-up of the band
